October 22, 2019
Los Angeles, California
BACKGROUND:
1948 Gift from Man Ray to Dr. George Hodel
Man Ray sculpture, “Objet de mon affection- L’oculiste” 13 ¼ x 8 x1 ½” created in 1944 and gifted to his good friend Dr. George Hill Hodel in 1948 just after the publication of Alphabet For Adults (Copley Galleries, Beverly Hills 1948) and just months after the 1947 Elizabeth “Black Dahlia” Short murder in Los Angeles.
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Object of my affection – L’oculiste Man Ray 1944. This sculpture was gifted by Man Ray to his good friend Dr. George Hill Hodel in 1948.
(Above) Dr. George Hodel seen with his Man Ray sculpture on wall in his Manila penthouse/office c. 1985. (Photo from Steve Hodel collection) Page from Exquistie Corpse: Surrealism and the Black Dahlia Murder by Mark Nelson and Sarah Bayliss.
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Page from Butterfield & Butterfield 2000 Auction Estimating value of George Hodel owned Man Ray sculpture “L’oculiste” at $30,000-$50,000.
PROFESSOR X – The Discovery of a Major Thoughtprint
Several weeks back, I was contacted by email by a reader of my works who was quite familiar with my several investigations, and we engaged and exchanged several Q&A emails. The man has a strong intellect, and I was impressed with his thoroughness and knowledge in many areas of the investigation.
He is a highly educated professor, and I am aware of his identity as well as his educational background. He has requested that his name remain confidential, which of course, I will honor, and for the present, let’s just refer to him as- PROFESSOR X.
In an email to me dated October 21, 2019, Professor X wrote:
Scotomization, inclusive or exclusive, aside: Does not “querelle” depict- not, merely present for interpretation but clearly depict-not just two profiles but woman’s hourglass figure formed by foreheads and balustrade with L’Oculiste as vagina intersecting with jagged phallic-spearpoint walkway?
What say say you, sir?
My initial reading of the Professor’s email left me confused. What the hell is he talking about? Where is this coming from? And then, after a few minutes of studying the Man Ray drawing- I SAW IT. Plain as day. ( And now I can no longer, not see it.)
That is exactly how the mind works- ambiguous and bi-stable.
Rubin’s Vase
https://en.wikipedia.org/wiki/Rubin_vase
Man Ray’s 1948 Drawing “Q for Quarrel”
What are we seeing?
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Above graphic prepared by my good friend and partner, Robert J. Sadler, author/artist/retired officer, Dallas Police Department.
First Look:
In my earlier investigations, I covered this territory and came up with a number of bullet points which I documented in my writings:
- Yes, it is the interior courtyard of the Hodel/Sowden House c. 1947
- A man and a woman are seen in profile, facing each other ostensibly “quarreling.”
- Man Ray’s L’oculiste eye is seen looking down as a silent witness to the couple’s quarrel.
I saw nothing more.The below graphic (again, courtesy of Robert Sadler) provides us with a much better understanding of the “multi lite window” which served as an entrance from the living room into the courtyard, which figures prominently in Man Ray’s original drawing.
A Second Look using Professor X’s eyes:
Man Ray’s 1948 Alphabet For Adults “Quarrel” drawing with his Object of my Affection-L’oculiste ” included. In the above graphic (enlarged) I have removed the cursive “quarrel” writing.
What do we now see?
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A woman’s lower torso. (Bisected at the waist?)
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Man Ray’s L’oculiste sculpture inserted to represent her vagina. (It has now become both witness to and a part of her body.)
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The woman’s legs are spread open
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Her vagina is being penetrated (sexually assaulted) by a sphere-shaped object. (In the Professor X’s words, “a phallic spearpoint.”)
SKH Note: What Professor X terms a “walkway” I see/believe is actually the floor to ceiling multi lite windows at the south end of the courtyard, which slide open to the interior of the living room. My vision sees the body elevated to the roof line with the windows projecting upward and piercing her vagina. But, it matters not since either view, reveals Man Ray’s surreal artwork drawing to depict the following:
A man and a woman (George and Dorothy “Dorero” Hodel?) arguing in the courtyard of the Hollywood Franklin/Sowden home. (The roofline and architecture leave no doubt it is our 1947 Hodel residence.)
Present during the argument and seen at the south end of the courtyard is the naked body of a third woman. Alive or dead? Her legs are spread open and her vagina, is being sexually penetrated inside the very same courtyard as where the known torture/murder of Elizabeth “Black Dahlia” Short, occurred on January 15, 1947.
Further, this drawing was created only months AFTER the crime and published by Man Ray and fellow artist, William Copley in their self-published book Alphabet for Adults in 1948.
At the same time of the book’s publication, Man Ray presented Dr. George Hill Hodel with his gift of L’oculiste, the actual sculpture shown in the drawing which Man Ray represented as both an all-seeing eye-witness to “The Quarrel” (murder?) and as the physical, sexual part, the vagina, of the unknown woman.
In this drawing Man Ray’s, Object of my affection”-L’oculiste is made to become both “witness to and victim of” a terrible secret hidden inside the courtyard of Dr. Hodel’s Mayan Temple.
In effect, Man Ray, by gifting the sculpture, was saying, “Here George take and keep them both.”
In closing, let me sincerely thank Professor X for his detecting and sharing of a seventy-year-old Man Ray/William Copley secret. Another outstanding example of the “team effort” involved in helping solve this “noirest of the noir” murder mystery.
The post “Professor X” Discovers a Seventy-Year-Old Major “Thoughtprint”- Man Ray 1948 Drawing Depicts A Couple Witnessing a Nude Woman Being Sexually Assaulted in the Courtyard of Dr. George Hodel’s Sowden/Franklin Residence (1947 Black Dahlia Crime Scene) appeared first on Steve Hodel.